Today we’d like to introduce you to Gina Hatch.
Hi Gina, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, let’s briefly walk us through how you got to where you are today.
I was born in Provo, Utah. My early training was with my mother, Colleen Collins Smith. She gave me excellent performing opportunities, creating 36 original works for my brother, Ty Smith, and me to perform. I received the Willam F. Christensen scholarship to the University of Utah. I went on to graduate with a Bachelor of Fine Arts in addition to teaching at the University for two years. I performed with Utah Ballet and Ballet West. Soon after graduation, I joined Hubbard Street Dance in Chicago. I then moved to Florida to perform with Walt Disney World Entertainment. I performed in shows such as ‘The Magical World of Barbie,’ ‘Jolly Holidays,’ ‘Beauty and the Beast Live on Stage,’ ‘Cinderellabration;’ Stitch, ‘Story Walkers’ and ‘Rivers of Light.’ I became a Radio City Rockette for the 1996 ‘Christmas Spectacular’ and returned to complete four full seasons. I performed with Universal’ Grinchmas’ and Seaworld Orlando’ Allure.’ I was also a dance clinician for Disney Performing Arts and Universal Starz Dancing Seminars.
I became artistic director for Movement Arts Studio, training many students to move on to prestigious colleges such as FSU, Marymount Manhattan, Columbia, Boston Conservatory, Harvard, and Juilliard. I was appointed head choreographer for Universal Studios’ ‘SUPERSTAR Parade,’ ‘Macy’s Parade,’ ‘High Kick Girls,’ ‘Beetlejuice Live on Stage,’ ‘Grinchmas’ and numerous convention shows. I now teach for Orlando Ballet, Peaches, and In Motion Dance Project. I am also freelance as a performer, choreographer, and educator. I married my high school sweetheart, Greg Hatch. We just celebrated 34 years of marriage. I am the proud mother to Ellexis Skye, Ledger Gregory, London Maurice, and Leyton Cole. I especially appreciate my mother, Colleen Collins Smith, for her patience and passion for learning and excelling. I hope to pass on my knowledge and love of dance to all.
It wasn’t obstacle-free, but would you say the journey has been fairly smooth so far?
I do not believe I chose my profession; dance chose me. My mother was a pioneer in dance. Teaching hundreds this fabulous art form, and my entire family was part of her legacy. Growing up, dancing was as much a part of life as eating; it was essential. I cannot imagine life without an open room and a barre. What you look like for a dancer is often how you get cast into roles. I am tall. My height sometimes served me well but many times left me overlooked. You can change many things about yourself, such as weight, hair color, and eye color; I have even been asked to get spray tans as I was too light in skin tone. But height is not a changeable asset. No one is right for every role. I have learned to dry my tears and persevere. Dancing does not feel like a choice but as much a part of me as the air in my lungs. Failing is inevitable, but never trying feels impossible. Struggles can make the moments you are cast that much sweeter!
Can you tell our readers more about what you do and what you think sets you apart from others?
I have been honing my craft since I was three years old. I have learned proper technique in multiple styles and dance vocabulary in French and English. I rehearse up to 8 hours a day. Dancing is not a learned behavior but a ritual, an ongoing practice, and an evolving art form. Maintaining top performance shape, both mind and body, is essential. I also added teaching to my profession. I became certified in codified techniques. Teaching is a great responsibility. You cannot learn this art form through a book. It is passed down, generation to generation, through experience. As a choreographer, I enjoy working across genres that challenge and excite the dancers. My work evokes emotion and reminds us we are together in this shared human experience. At times, I will be creating multiple dances in a day. Many hours go into sequencing the movements and teaching them to the dancers. Then, I often have the responsibility to find costuming and lighting for performances. Whether dancing, teaching, or choreographing, it brings me tremendous joy daily. I am known for my energy and dedication to inspire!
What changes are you expecting over the next 5-10 years?
I want to continue giving students of all ages the knowledge, desire, and perseverance to continue training and bringing art to the stage. Dance is alive and constantly changing. I can’t wait to see what new creations will be danced tomorrow.
